Marsh Harrier, 2018, Steel girder on square section steel, NFS

 

Julie Cuthbert

www.jcuthbert.com
Instagram: @juliecuthbert

I sculpt in metal using both new and existing materials.  I am conscious of an object’s previous use and how I am at once subverting that and giving it a new lease of life. Many of my sculptures are kinetic, to be experienced in nature, in changing light, weather and seasons.

I found this steel girder, half sticking out of the ground on Moverons farm, located directly across the river from Fingringhoe, where I was artist in residence. It had been left behind from the gravel workings that had taken place there years before. It was retrieved for me with a tractor and as soon as it was lifted into the air, the shape of the curve turned it into a bird of prey.

I wanted to exhibit this sculpture here, as Fingringhoe Wick also has a history of gravel workings, evident in the structures left behind as you walk around the Reserve; the preservation of this unique landscape is also home to the Marsh Harrier.

 

Balance, 2023

 

This mobile is predominantly made with wheel spanners, which lock together in a pleasing way, mimicking the tree branches. It is held up by a set of scales and there are two circular objects, the larger disc representing Earth, moving around in a sort of planetary system.  The wheel spanners are for lorries and trucks, a major cause of today’s carbon emissions. Scales are an obvious metaphor for ‘weighing things up’ or considering the balance of nature versus human convenience.

 

Scales, 2022

 

Balance compliments previous sculptures I have made on this theme such as these Scales. Designed like the scales of justice, the contents of each side can be changed to reflect the current message – most recently they contained coal and bullets, referencing the war in Ukraine and Europe’s dependence on fuel from Russia.